| [‘Killers Of The Flower Moon’ Asks You To Sit With Its Contradictions | Defector](https://href.li/?https://defector.com/killers-of-the-flower-moon-asks-you-to-sit-with-its-contradictions) |
The reason I keep thinking of that storm scene is because there seems to be a collective inability in our culture to sit in silence without saying something reflexively, particularly when that silence is pregnant with the kind of contradiction art is meant to produce. I know social media doesn’t exactly promote reticence or nuance of any kind, but this appears to be something more widespread. The compulsion to assess films, television series, music, books, anything, really, based on whether they are moral has leaked out of conservative enclaves into the mainstream. And just as equating the art with the artist has always struck me as a strange reduction, so too is equating the politics with the art
It’s hard to parse where this need for prescriptive morality comes from, particularly since prescription is the opposite of art’s intention. Art is intended to provoke questions, not provide answers. This new requirement for clear direction seems to have emerged not just from a culture which is in a constant panic over the prospect of being canceled—no matter how nebulous that threat is—but is also of a piece with the less abstract, more technical processing of art you find in fandom circles. These are places where explicit parameters must be set forth within which the audience then feels permitted to operate. This is an audience that needs rules, or else it doesn’t know how to react.
To read art is to be read by it. And the types who censor art are always the last to look in the mirror.
